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A man making a fishing net!
An elderly woman weaving fabric material.
A simple and humble life!
1. How do elderly individuals living independently describe their experience of Loneliness? 2. How do elderly individuals living independently interpret their experience of loneliness?
By Amy Kotlarz/Catholic Courier
BRIGHTON -- The monthly drum circle at the Sisters of Mercy Motherhouse starts early, allowing the sound of drums to reverberate to the floors above and below.
"Why don’t we just play and wake up the others?" Father Peter Abas, motherhouse chaplain and sacramental minister at Henrietta's Guardian Angels Parish, jokingly suggested to those gathered for the November session.
Father Abas, who began leading the motherhouse’s drum circle several months ago, headed around the room passing out drums, maracas and other percussion instruments big and small to the group of elderly sisters, priests and laypeople.
Once all had instruments, Father Abas suggested they warm up, and he clapped out a beat with his hands. On his cue, participants joined in with taps, booms, bangs and clangs. Father Abas then added a more complex rhythm, and Sister Margaret Caufield, a retired music teacher, created a melody from her perch at the piano.
The din came to a prompt close when Father Abas counted "4-3-2-1," and then the jokes started.
"We can make a lot of money if we go for a concert," the priest quipped.
Yet unlike many other musical groups, this drum circle is an end unto itself. Father Abas, who has led several other area drum circles, noted its therapeutic aspects: It helps people relax, gives them energy, and allows them to vent frustrations and express their talents. At the outset, he said, some of the participants seemed weak, but after even one session of drumming, they appeared to be invigorated.
To illustrate this point, during a break in the music Father Abas asked the 80- and 90-year-old participants how they felt.
"Oh, about 25," one sister responded.
"I want to get up and dance," said Sister Mary Carmella Coene, who will turn 100 on Dec. 21. During the circle, she vigorously hit a bass drum as tall as the seat on her wheelchair.
After the drumming session Father Abas pointed out that many of the circle’s participants live in the motherhouse’s dementia unit.
"This is the first time I have done it (a drum circle) in a residence and with some in a state of Alzheimer’s or dementia," he noted.
To help them get the full benefit of the circle, he gently encouraged participants who were reluctant to pick up an instrument and try drumming. For example, one sister who was wheeled to the circle tried to turn down the offer of a drum.
"I don’t want any," she said. "I don’t want to make noise."
"Today, you are not making noise, you are producing noise," Father Abas remarked as he handed her a drum.
Other participants said they are sold on the circle and on Father Abas.
"I think Father’s spirit is so wonderful," Sister Mary Jude Rockenbrock said.
"You don’t have to do it exactly, and you don’t have to be musical," Sister Rita Biel remarked.
"When you really get going, you can feel the other people take over," said Father David Doerner, a former missionary to Japan who participated in the circle.
The communal nature of the circle is one reason why Sister Caufield, the piano player, said she pines to be back in its midst.
"One hour of piano playing at my age is difficult," said Sister Caufield, who taught at Rochester's St. Andrew and St. John the Evangelist schools.
But if it is difficult, Sister Caufield doesn’t let on. As participants call out the names of songs from the patriotic ("God Bless America"), to the nostalgic ("You are my Sunshine"), to the seasonal ("Santa Claus is Coming to Town"), she pulled the melodies from her memory.
Some sisters joined in singing the songs. Sister Caufield’s biological sister, Sister Ann Caufield, said it's clear that people find it fun to be a part of the circle.
"By the looks on their faces, everybody seems to enjoy it," she observed.
Loneliness is inner emptiness. Solitude is inner fulfillment. - Richard J. Foster |
+ Just like two summer peaches, loneliness and solitude can often appear to be the same; however, don’t be deceived. One is bursting with sweetness while the other is rotting away. Lord, teach us the grace of solitude. + |
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Colors of Life
The dialogue that follows depicts her sincere reflections of specific feeling and its relationship to color.
She no longer felt inadequate as an artist by the time we finished discussing this – and – was very eager to
give her feeling about words and colors and to weave this creative plain.
FP: Thank you Sister, for sharing. Excellent.
Sister: Since I didn’t know what to do, the Lord did it.
FP: Sister, you said you are not an artist. If I can bring a big canvas here, you can express
with different colors. I think you can do that. For example, give me one word that was there.
Sister: Brilliant.
FP: Okay, brilliant, now if you had a canvas, what color, do you like to use. What color would you use?
Sister: I LOVE purple.
FP: Okay, then you love purple. Then I will be sitting down here, and I will play one music tape.
I will use a very simple music tape. I will use “Yahweh You are Near”. When I play that,
until the music stops and you just keep on moving. Your expression of brilliant will be in the color that you like.
What is the next one?
Sister: Dazzling.
FP: Okay dazzling. What color is dazzling for you, Sister?
Sister: Uh, red.
FP: Okay, red. How do you imagine that is going to be?
Sister: I think it could have many shades of red all around it and be dazzling.
FP: See, so we already have a kind of purple, and probably the red will be coming like
a sun-ray from the purple. The brilliantness and the dazzling, is coming. Now, pick one or two more words.
Sister: Okay, well, flowering.
FP: Ok now, what color do you like to express flowering with?
Sister: Oh, pink and blue or yellow.
FP: Ok. Where will we put that on that big canvas?
Sister: If it’s going to be flowering, it should be on the bottom coming up.
FP: Ok. Look at the interpretation now. This flower produces beautiful aroma.
If you put it towards the bottom, the flower will produce that brilliantness.
The brilliantness produces that ray. See how it is now?
Sister: And the last one will be resplendent.
FP: What color are you going to use for that?
Sister: Oh, I’d like a mixture of pink, like that.
FP: And where would you like to put that, when you imagine that now?
Sister: I think the whole thing is resplendent.
FP: So, in the background, like this, behind. So, it might be a little bit light.
Then, darker and darker, so that’s how it is. That’s exactly how you want to do it. We can work on it.